Happy New Year to all!
Classics in Miniature was in Seattle for the Modern Language Assoc. annual conference where our DVDs were sold in the trenches on the Exhibit floor. I sold over 100 copies, made numerous serious contacts for speaking engagements and for sales of institutional copies to Language Departments. It’s a great place to speak directly with the experts who know the original Classic Works I am producing. Very exciting and fruitful.

BIG NEWS! We are entering into a cooperative arrangement for sales of QUIXOTE and FAUST with W.W. NORTON & COMPANY book publisher. This is a very fortunate occurrence to say the least as they are a large Independently owned book publisher with offices on 5th Ave. in NY, NY. Perhaps I won’t need to invent the wheel in regard to distribution so much in the future. Looking forward to a long partnership with them.
We also presented QUIXOTE at the NW PUPPETRY CENTER to an eager crowd of professional puppeteers and puppet enthusiasts. It is a magical place, anyone near Seattle should see the gorgeous theatre and one of their great live shows, it’s the home of the Carter Family Marionettes.

A few weeks remain on the Indigogo JOAN of ARC PUPPET FILM campaign. Go ahead and donate a few bucks if you are able. There are lots of perks you may want too. And even though it may not look like I will get to the finish line for this funding cycle, I can assure you I will find a way.

http://www.indiegogo.com/JOAN-of-ARC-puppet-film-2

Thanks,
Steven Ritz-Barr

Greetings everyone,
I’m writing to let you know about ‘JOAN of ARC puppet film’

Take a moment to check it out on IndieGoGo and please share it with
your friends.  All the tools are there.  Get perks, make a
contribution, or simply follow updates.  If enough of us get behind
it, we can make ‘JOAN of ARC puppet film’ happen.
http://www.indiegogo.com/JOAN-of-ARC-puppet-film-2?a=52298&i=emal

Your donation is tax deductible because the Metropolitan Puppet Authority is
handling the donations and it is a non-profit 501(c)3.

And the perks may come in handy just before the new year.
thanks,
Steven Ritz-Barr

LAPuppetGuild presents
Steven Ritz-Barr’s “Quixote” and “Kurt Cannibis and Connie Cancer”
With special guest Eugene Seregin
SAT. January 22, 2011 @ 7:30 p.m.  FREE
Bob Baker Marionette Theater
1345 W. 1st St
Los Angeles, CA  90026

Snacks and Beverages available for purchase
(Note: private parking lot $3 cash)

“QUIXOTE” a film by Steven Ritz-Barr; Cervantes’ Don Quixote is one of the funniest and most touching stories ever written. Told here in the language of film by Steven Ritz-Barr with Michael York as the voice of Don Quixote.

“QUIXOTE” is the story of an aging Spanish gentleman, accompanied by his faithful squire Sancho Panza, who embarks on a series of absurdly fantastic adventures across 16th century Spain. Produced by Classics in Miniature, Inc. Marionettes, the characters were crafted by Russian puppet artist Eugene Seregin, and brought to life by master puppeteer Steven Ritz-Barr and co-director Hoku Uchiyama.  AWARDED UNIMA Citation of Excellence,  2010.

“Quixote” is accompanied by “Kurt Cannabis and Connie Cancer,” a six-minute short that was part of a film called “What if Cannabis Cured Cancer?” by Len Richmond.  Puppets made by Eugene Seregin, operated by Steven Ritz-Barr and Christine Papalexis, characters voiced by Rosanne Barr and Malcolm McDowell.

Quixote  fights army of sheep

By Steven Ritz-Barr

QUIXOTE and FAUST available for purchase on www.classicsinminiature.com

This is a short and sweet ‘bonjour’ from the heart of France where I am presently researching JOAN OF ARC for the next volume of the Classics in Miniature film series. I expect a script by November and a film by end of 2011. These films take time to make, like writing a book, and I do enjoy ever minute of it—well, most every minute.

Recently, QUIXOTE screened at the Holon, Israel Puppet Festival and at the Prague festival in the Czech Republik. And this past spring we screened in San Francisco at the Arts Academy downtown, at UCLA, and at the Beverly Hills Film Festival.

We begin screening for the Spanish teachers in L.A. County at several venues beginning Dec. 2010 at the Santa Monica Main Public Library. Also at University of Cal, Santa Cruz, University of So. California, and the Cervantes Society Convention in the fall and early winter of 2010.

We were honored to receive this award at an American Puppet Festival this July: UNIMA citation of Excellence (Intl. Puppet organization), 2010.

QUIXOTE and FAUST on DVD are selling well, through our website and on Amazon. Please BUY IT ASAP so we can continue the Classics in Miniature adventure. So don’t be shy, BUY. BUY.  BUY.

Hope you are all enjoying the summer.

Cheers,

Steven

Don’t hesitate to write me at steven@classicsinminiature.com anytime

(Due to re-working of my website some of you may have received this message.  My apologies.)

Two upcoming screenings in the Los Angeles area:

April 16, 2010 Friday at 4pm J. Bridges Theatre, Melnitz Hall, UCLA

April 17, 2010 Saturday, Beverly Hills Film Festival, 11-1pm, Clarity Theatre, Beverly Hills, CA

(Most likely will sell out) buy tickets NOW on website:  http://www.beverlyhillsfilmfestival.com/gallery2010_sel_sort2.php?recordID=04-17 (6^th film on list)

“I thought the film was a brilliant achievement. I liked the selection of the scenes, the little boy, the sheep, the Merchants, and most of all the Puppets- that’s for me the highlight— to see Puppets doing Puppets is just wonderful. The technical effects and the idea that Don Quixote himself comes to realize that he was his own enemy all along is really very clever. And to pull all that off in 30 minutes is just darn remarkable. Cervantes would have loved it. “

—DR. Howard Mancing, President,Cervantes Society of America
Purdue Professor

By Steven Ritz-Barr

Recently,  QUIXOTE, the new film from Classics in Miniature, premiered  in Lafayette, Indiana to an exuberate crowd of over 500 students, professors, and community members of all ages thanks to our hosts at Purdue University. After over one year of constant work the 30 min. film now exists, along with a 20 minute inside view in The Making Of Quixote.

COMMENTS

“The film was a brilliant achievement. I liked the selection of the scenes, the little boy, the sheep, the Merchants, and most of all the Puppets- that’s for me the highlight—to see Puppets doing Puppets is just wonderful. The technical effects and the idea that Don Quixote himself comes to realize that he was his own enemy all along is really very clever. And to pull all that off in 30 minutes is just darn remarkable. Cervantes would have loved it. “

—Howard Mancing, President, Cervantes Society of America
Purdue Professor of Spanish Studies

FUTURE SIGHTINGS  on the big screen…

April 16, 2010 at 4pm  James Bridges Theatre, Melnitz Hall,  UCLA

April 17, 2010 at 11am to 1 at  Beverly Hills Film Festival, Animation Block 1,
Clarity Theatre, Beverly Hills, CA   (details in press release on site)

DVD Now available on the website for purchase

www.classicsinminiature.com

Seasonal Newsletter from CLASSICS  IN  MINIATURE
Fall Nov.  2009   Vol. 1

Beauty is a primeval phenomenon, which itself never makes its appearance, but the reflection of which is visible in a thousand different utterances of the creative mind, and is as various as nature herself.

-Johann Wolfgang Von Goethe

Puppetry ARTS…is a personal, creative art more known in the population of children than in adults. Because of this aspect Puppetry is rarely taken seriously as an mature arm form. But Puppetry has been around for a long time—as long as People have been around. Today Puppetry thrives as an art form that can not only live within the greater, more defined worlds of Fine Arts, Theatre Arts, Film and Television, in Developmental Psychology, but it can also find a place to reside within most every other communicative discipline.

Puppets are tools through which the Human Spirit can communicate.

Puppets break through cultural barriers, age barriers, and language barriers, they are used to excite and motivate (as team mascots and in political demonstrations), they can be used to educate the public concerning Public Health  (STD’s) and other more sensitive issues, and they can be seen as key to progress within a therapeutic context for children and adults, and they can sell and do PR. It is for these reasons I believe Puppetry has a place at the table in the institutions of lower and higher education.

Steven Ritz-Barr and Michael York at Sound Recording for film QUIXOTE.

Mr. York is the voice of Don Quixote. Other voice actors include, Gino Compagna as Sancho, Illiana Carter as the neice, Lynda Lester as the maid, Conrad Bishop as Maesa Pedro the Puppeteer, Brooks Elms as the Master Sheepherder, with Ritz-Barr as the beaten boy, Mike Simpson and Hoku Uchiyama as the 2 Merchants.

THE MAKING OF “QUIXOTE” by Steven Ritz-Barr

Journal entry Nov. 1, 2009

Cervantes’s book called Don Quixote will be just called QUIXOTE  for this film. Since the last journal entry the film’s photography has been completed. We searched for actor’s who could be the voices of these characters. In a stroke of good fortune, Michael York accepted the role of Don Quixote. In mid October we recorded his voice, along with my friend Gino Campagna as the voice of Sancho, in a sound studio within the film dept. at UCLA.  I am poised to record the remaining 9 voices at present. I still don’t know when a release date for the DVD will materialize or a launch date because there are so many factors to navigate. Now that Quixote has a great actor’s  interpretation for the main role, the other parts of the production must measure up to that standard. So the sound FXs and the music, and the final image edit must all be as good as it can be. I target the end of 2009 for termination of the First Draft. This can then be critiqued and the formal launch can come in March sometime. Because I always think I will get just one shot at doing something right (which is not true in the film biz.) and because the limited finances for this internally developed film dictate the progress to some extent, it makes it hard to predict when it will be actually available to the general public as a DVD. This DVD will have the 30 min. Quixote film, along with English language voices and Spanish subtitles. There will be a visual piece about the Making of the Film, complete with photos of the early stages of the puppets, the sets, and the shooting. I hope to include a short section on Cervantes and the Cinema by Dr. Howard Mancing, (a leading Cervantes scholar from Purdue University), and Mass Giorgino, (Cervantes doctoral student and musician from Purdue).

Journal entry July 4, 2009

The week of June 23, 2009 began the official pre-production phase of QUIXOTE, the next film in the Classics in miniature series. Up till now, the puppet of Quixote, Sancho, horse, donkey, and Innkeeper have been completed. The script was done. In regard to the Production, the minimum amount of money has been defined that we can spend on the piece. By the way, in the future,I will post some photos of the work we are accomplishing.

The first few days were spend finalizing the script. It was noted the script read more like a human script than a puppet script. This means that the movements written into the script were easy for humans to do, but difficult for our suspended fragile marionettes to accomplish. I had eliminated the Quixote death scene because in our abridged version, we couldn’t pull it off without a downer impact at the end.
     We agreed quickly on a final version and moved on, noting some of the difficulties we may have with several scenes. We did not tarry on the script. It stayed essentially intact from the original, although it certainly got better with the scrutiny of the team.
The first week ended on high note but apprehensive one because we didn’t know how we were going to accomplish shooting this script we liked. The next week began with many questions…
First thing to solve was how we were to shoot the backgrounds. Since the story takes place outdoors in vast areas of endless landscape the backgrounds were a challenge. We listed possible ways to do them: outside shoot, overhead projector with projected painted scenes, overhead projector with ‘photo-shopped’ photos, painted backdrops, glass paintings, green screen shots to be composited later on, different fabrics, an ‘artsy’ succession of cardboard plains as in Dante’s Inferno (another puppet film), or any variations on these ideas. We tried many.
     We realized to test these ideas with our available home HD camera was not going to give us the trusted results. We also realized that tests in our home were not going to be adequate for determining results either, unless we were to conclude we would shoot it at the home, which would be far from ideal due to many factors—too tight a space for correctly operating the puppets.
      I decided to purchase our HD camera, a Sony EX1. We could do the tests with truthful accuracy and shoot the film and do reshoots if needed. Owning the camera would also mean committing a little more to the project. This was a difficult decision but one I committed to. It was the most expensive investment in the project.
     A stroke of luck followed this decision. We were offered a space for 2 months to work in—in a large home in Encino Hills, a friend named Dr. Robert Scheitzl was off to vienna for 2 months and we could use his home. It was big enough for what we needed and we set up shop there immediately. All we had to do was feed the cats and water the plants. Wow.
We proceeded with the background tests. The photo-shopped photos of the actual terrain in La Mancha photocopied on acetate by Kinkos, projected from my simple overhead projector worked the best. I got that projector for $25 on Ebay 5 years ago, now it would come in handy. The technique is called rear-screen projection. We were very happy especially because it gave a ‘realism’ to the style. Next test was to incorporate the floor or earth with our scenes. So we made some mock trees, some dirt and raised plains that could transition into the far away background. This worked fine too. Placing plants in the foreground ‘sold’ the shots. But we discovered we would need more lights for the foreground—another expense. This is how we ended the week, satisfied yet still apprehensive about some major things—like how are the 4 puppeteers going to sit on the ‘bridge’ to operate the puppet. We set a plan for Monday to complete the tests before the official breakdown of the shoot would be completed.
END

Journal entry May 27. 2009

One of the things that makes DON QUIXOTE such a hard story to recreate is that the novel is so complex and apparentely contradictory. It is also an easy novel or story to misrepresent. Like the bible, except it doesn’t pretend to be the word of  a god.When I want to recreate a scene I realize Cervantes, in another part of the novel or with one of his literary devices, alters the reading of the scene. That layering is hard to accomplish when adapting. Each scene appears simple, yet each scene is  not as it appears the first time. Later in the novel other meanings of the scene are revealed.